Touring Medellin
Monday, July 20th, 2009

Overlooking Medellin from the top cable car stop
The second largest city in Colombia. We arrived in heavy traffic on the autopista. I may have been worried by the close traffic, but there are many who ride bicycles on the far right. Traffic politely includes us and avoids us. We come up along side a father and son on short bicycles who madly speed past me on the uphills and who I leap frog past on the down. Playing this game for many kilometers I marvel at their strength and watch the father guide his son, as he motions for taxis to yield crossing exit ramps. As the uphill begins, they pass me by. Motorcycles and taxis fill the road not necessarily in their lanes. I hear a crash and look up scanning for David and the father and son. A motorcycle with two passengers lies across the shoulder. A white car with a broken tail light is stopped. Traffic moves around. People gather, and lift the cycle. The passenger steps away. The conscious driver is carried to the nearby ledge with what appears to be a sprained or broken ankle. Both driver and passenger are wearing helmets, the law in this country. I slowly and politely step through the scene with my bike. Once on the other side I see David stopped up ahead. The father and son, too, are nearby. We trade “oh, we were lucky” talk in my meager Spanish. David calls out, “I’m so glad that wasn’t you!” and we all get back on the bikes and continue in the unrelenting traffic.
Medellin is the home of the most famous Latin American painter and sculptor, Botero. Statues of plus-sized men and women, naked and clothed lined the sidewalks of the park in front of the museum where he donated much of his art. Men fondled breasts and stroked enormous buttocks feeling no need to look to see who might be watching. We toured the city on the state of the art elevated Metro. A cable car delivered commuters to their homes high up along the mountainside. We expected expensive restaurants for tourists, but this fancy addition to the Metro is utilitarian with only a park offering great views at the top.

Botero's "Adam" & Julie

Botero's bronze "Gorda" in Cartagena, shiny where people touch it.




























